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The Threat to Ukraine’s Heritage. An Open Letter sent to the Minister of Culture of the Russian Federation, Olga Borisovna Lyubimova. 18th March 2022
World Monuments Fund (WMF) is seeking a Ukraine Heritage Crisis Specialist for a 12-month, fixed term position.
Take part in this 3-day workshop, led by researchers Khaled Malas and Nadine Fattaleh, that examines the possible meanings of an assemblage of ‘talismanic objects’ collected in the first decade of the twentieth century by Dr Tawfiq Canaan (1882-1964) and currently housed in a British museum.
Global Heritage Fund is joining forces with Europa Nostra to support the defenders of cultural heritage in Ukraine as well as those working in the cultural heritage world who have been rendered refugees in their escape from Russia's brutal aggression.
Appeals made for logistics partners, sponsors, equipment and materials
We are pleased to announce that our postponed seminar called ‘Heritage & Sustainability: Legal issues in protecting cultural and natural heritage for future generations’ will now be running online on 29 March 2022. This seminar will cover all the major issues that touch upon sustainability and the historic environment.
World Monuments Fund (WMF) today announced the 2022 World Monuments Watch, a selection of 25 heritage sites of extraordinary cultural significance facing global challenges and whose preservation is urgent and vital to local communities. These sites illuminate the effects of global issues such as climate change, imbalanced tourism, underrepresentation, and recovery from crisis, underscoring the need for greater action to support heritage places and the people who care for them.
Against Disappearance is a series presented by Shubbak in partnership with the Cultural Protection Fund which explores cultural heritage and contemporary culture.
We are pleased to inform you that UNESCO is now accepting applications for the 9th edition of the UNESCO/Jikji Memory of the World Prize.
The research project was led by the Centre for Cultural Value in collaboration with The Audience Agency and the Creative Industries Policy and Evidence Centre and was supported by the Arts and Humanities Research Council.